ALBERT AYLER TRIO - Spiritual Unity - NEW CD ESP 1964

ALBERT AYLER TRIOSpiritual Unity... NEW CDLabel: ESP... ESPCD 1002... "ESP's first recording session was on July 10, 1964, in the tiny Variety Arts Recording Studio, just off Times Square. Just before 1 PM, SUNNY MURRAY arrived, a large, genial walrus, moving and speaking with an easy agility that belied his...

ALBERT AYLER TRIO
Spiritual Unity

NEW CD
Label: ESP

ESPCD 1002

"ESP's first recording session was on July 10, 1964, in the tiny Variety Arts Recording Studio, just off Times Square. Just before 1 PM, SUNNY MURRAY arrived, a large, genial walrus, moving and speaking with an easy agility that belied his appearance. GARY PEACOCK was next, tall, thin, ascetic looking, and soft spoken, with an introspective and kindly demeanor. ALBERT AYLER was last, small, wary and laconic. The walls of the reception area were covered with Latin album jackets. The engineer quickly set up the mikes and began the session. B sat outside in the reception area with Annette Peacock, Gary's wife. As the music was heard through the open outer door of the control room, felt a sense of jubilation. At one point, the engineer fled the control room for a few minutes, but returned in time to change the tape for the next selection. When the session was over, B learned that it had been recorded in monaural, although he remembered requesting a stereo recording. Happily, the engineer Joe had properly miked and mixed the session, and the recording stands today as a classic of the genre. After the session, the participants sat in a coffee shop next door, while they were paid and signed recording agreements. A few days later, B saw them off on their flight to Europe from Idlewild International Airport for a European tour. DON CHERRY was with them."

Albert Ayler Trio: Albert Ayler (tenor saxophone); Gary Peacock (double bass); Sunny Murray (drums). Recording information: New York, New York (07/10/1964). Like all the great free-jazz players, Albert Ayler possessed a musical intelligence that ranged far and wide. With an approach to the saxophone that reinvents its vocabulary, Ayler's playing tests the limits and possibilities of harmonic structure and tonality. His work is singular however, and markedly different from peers Ornette Coleman and Eric Dolphy, in that it is not primarily intellectual or willfully deconstructive. Instead, Ayler's aesthetic is almost naïve; his motifs are based on folk melodies and popular themes turned inside out with a luminous, superhuman emotion and intensity. SPIRITUAL UNITY is Ayler's defining statement. Ayler, bassist Gary Peacock, and drummer Sunny Murray form a telepathic network of accelerating and decelerating rhythms and ideas. Ayler's voice is perfectly realized here, from the surging run of "The Wizard," to the lyrical ruminations in "Spirits," to "Ghosts," whose two variations bookend the album, musically and thematically. Ayler unleashes bird-like flurries and guttural groans deep enough to coax spirits from the earth. His aggressive attack and wide vibrato are tempered by the child-like purity of his expression, and the listener is pulled inexorably into a transcendent unity promised by the title, making SPIRITUAL UNITY a free-jazz classic.

Editorial reviews

...Contains peak performances... The Wire (06/01/2001) ...Gave voice to a personal vision so occult that it seemed to emerge straight from the Book Of Revelations... The Wire (03/01/2000)

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