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Stelvio Cipriani – Quel Pomeriggio Maledetto
new LP
REISSUE
Quel Pomeriggio Maledetto (black)
Stelvio Cipriani
CNST 703
STELVIO CIPRIANI - QUEL POMERIGGIO MALEDETTO (o.s.t.)
Format: LP limited edition / Gatefold
Catalogue: CNST 703
Barcode: 8055323520355
Format: LP limited edition / gatefold hard thick cover
Catalogue: CNST 703
Barcode: 8055323520355
A tough, funky ‘70s instrumental score that perfectly fits the insane violence of this seldom-seen Lee Van Cleef hitman film! QUEL POMERIGGIO MALEDETTO (aka THE PERFECT KILLER) is one of the wildest, sleaziest Eurocrime movies ever made; it ultimately got made with Lee Van Cleef as the star and featuring such sexualized violence as a female getting shot in her nether regions, a straight-razor fight with trans women and some rapes that make you feel more uneasy than do most. But no rundown of the "stars" of this film could be complete without mentioning Stelvio Cipriani's funk score. Mind you, the '70s was already a funky decade of music, just as the Eurocrime genre was already a violent and sexual movement of cinema. But both Cipriani's score and the film pushed together to find new extremes of funkiness and raunchiness. Normally if someone hears playing '70s instrumental funk says, "What is this? It sounds like porno music!" ... well, that's grounds for departing from his or her presence, perhaps not to return. It's terribly limited thinking to associate all instrumental funk from the decade with smut movies. And yet, I must confess there's a certain sleaziness (and I use that word lovingly) in Cipriani's MALEDETTO title track that perfectly evokes the on-screen tawdriness to come. The wah guitar. The prominent electric bass. The slithering, laid-back horns. It's an ingenious groove and yet dripping with sleaze.
And even though there's a laconic mid-tempo quality to the title theme, there's also something that drives it steadily forward. And that perfectly captures the doggedness and determination of Van Cleef's hitman character, who constantly pushes forward in his quest, even after he's been betrayed by his former partner, his new criminal organization and his woman. (In fact, it was QUEL POMERIGGIO MALEDETTO that crystalized in my mind how well the Eurocrime genre worked when operating within these "one man against the world" stories.)
In any case, let all nerdy trivia questions fade away as you get lost in some magnificent, sleazy funk by maestro Cipriani. And we'll "see you in Hell, kitten.”
from Mike Malloy Liner Notes on LP
Side 1: QUEL POMERIGGIO MALEDETTO M1 -M2 -M3 -M4 -M5 -M6 -M7 -M8 -M9 -M10
Side 2: QUEL POMERIGGIO MALEDETTO M11 -M12 -M13 -M14 -M15 -M16 -M17 -M18 -M19 -M20 -M21 -M22 -M23 -M24
Music composed and directed by STELVIO CIPRIANI
Label:
Cinedelic Records – CNST 703
Format:
Vinyl, LP, Limited Edition, Gatefold
Country:
Italy
Released:
26 Sep 2016
Genre:
Jazz, Funk / Soul, Stage & Screen
Style:
Soundtrack, Jazz-Funk, Theme
Tracklist
A1 Quel Maledetto Pomeriggio M1
A2 Quel Maledetto Pomeriggio M2
A3 Quel Maledetto Pomeriggio M3
A4 Quel Maledetto Pomeriggio M4
A5 Quel Maledetto Pomeriggio M5
A6 Quel Maledetto Pomeriggio M6
A7 Quel Maledetto Pomeriggio M7
A8 Quel Maledetto Pomeriggio M8
A9 Quel Maledetto Pomeriggio M9
A10 Quel Maledetto Pomeriggio M10
B1 Quel Maledetto Pomeriggio M11
B2 Quel Maledetto Pomeriggio M12
B3 Quel Maledetto Pomeriggio M13
B4 Quel Maledetto Pomeriggio M14
B5 Quel Maledetto Pomeriggio M15
B6 Quel Maledetto Pomeriggio M16
B7 Quel Maledetto Pomeriggio M17
B8 Quel Maledetto Pomeriggio M18
B9 Quel Maledetto Pomeriggio M19
B10 Quel Maledetto Pomeriggio M20
B11 Quel Maledetto Pomeriggio M21
B12 Quel Maledetto Pomeriggio M22
B13 Quel Maledetto Pomeriggio M23
B14 Quel Maledetto Pomeriggio M24
Companies, etc.
Licensed From – Sugar (2)
Copyright (c) – Creazioni Artistiche Musicali C.A.M. s.r.l.
Credits
Composed By – Stelvio Cipriani
Liner Notes – Mike Malloy
Notes
Limited Edition 500 copies (100 in Red Splatter vinyl / 400 in black (this))
Hard Thick Gatefold Cover
Barcode and Other Identifiers
Rights Society: SIAE